Tuesday, February 12, 2019

Language of the land :: essays research papers

Traditional African ruse plays a major p blind in the African society. some ceremonies and activities cannot make for without visual art. Such ceremonies include singing, dancing, story relation back, spiritual dreams, and relationships with the opposite sex. According to mob Stephenson, art is a way to express trust in your experience wordsdrawn to create a symbol that is pulled out of you. He believes art, or literature should illustrate the lifestyles or problems of a certain convocation of people. In the book Language of the pop, James Stephenson discusses about the Hadzabe tribe. James Stephenson uses umteen glimpse of art, or literature to portray African art.There argon three basic authorships of African art. The first is the realism among the people of the bush. Most African tribes, particularly the Hadzabe, embellish the details when they ar telling stories. This ornament is done to create the mood of the story. For example, when Jemsi is at Mama Ramadan, he desc ribes the cowgirl as a superstar flying in spaceships filled with thousands of male lovers (Language of the shore pg.67). Then some of the other Hadzabe says, the cowgirl was their girlfriend (Language of the Land pg.67). When Jemsi says he is do it up, all the Hadzabe start telling there own exaggerated stories. This proves that their art of story telling engages your mind, feelings, and body. Another similar example of how Jemsi captures the minds of the Hadzabe is when he talks about the bearits claws are the size of Sitotis arms, it is fast as the lion. It can cut trees down with its claws, and hunts, eats men. Sometimes it go out come down into camp the camp, and sleep next to you. Then if you wake and move it will kill you, or do the jiggi-jiggi with you (Language of the Land pg.117). This just shows how gullible the tribesmen are toward each others stories. This geek of visual or utter art describes the Africans ability to over express the idea to the extreme.The secon d theme of African art is the problematic relationships between the sexes. The Hadzabe are shown as the type of people who would use harmless devices to deal with the problems and issues concerning the relations between the sexes. For example, when Sitoti was telling one of his stories of how he scared Swahili girls by wading up comparable a slow moving crocodile and leap at the women washing their clothes (Language of the Land pg.

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